With a unique location in Copenhagen’s historic centre, near tourist attractions, the harbour boats, design companies and galleries, Designmuseum Danmark is a working archive and the entrance to Denmark as a design destination.  Experience one of the world’s largest collections of Danish design, counting works by Finn Juhl, Arne Jacobsen, Poul Kjærholm, Verner Panton and Hans Wegner. In addition, the collections cover applied art and design from Art Nouveau to contemporary Danish design and include glass, ceramics, fashion, textile and poster art. The museum, situated right next to Amalienborg, is one of the finest examples of rococo architecture in Copenhagen. It offers thematic design exhibitions, special events, guided tours and workshops. Visitors are also invited to explore our beautiful garden, the café with indoor and outdoor service, the museum shop, and library. Special exhibitions:   PROUD, 5.10.23-26.5.24 Join fashion designer Nicholas Nybro on a design adventure across Denmark, from Amager to Ærø and from Hirtshals to Højer, resulting in 21 vibrant, diverse, and modern folk and regional costumes. The Future is Present, 19.6.22-31.12.24 Currently, designers around the world are working on solving some of our global challenges. Thinking radically and creatively, allowing themselves to be guided by both reason and emotion. Akut, series  Welcome to an exhibition about what is happening on the design scene right now. AKUT showcases everything from trends and tendencies to design, which address current issues and provide new perspectives on design and crafts.

Kunsthal Charlottenborg is one of the largest and most beautiful exhibition spaces for contemporary art in Northern Europe The exhibition space presents an ambitious program with international outlook featuring talents as well as established stars from both Denmark and abroad. Kunsthal Charlottenborg presents uncompromising and agenda setting art still understandable for everyone. The trendsetting exhibition program is supplemented with a large number of activities like artist talks, performances, concerts and film screenings. Ever since Kunsthal Charlottenborg opened in 1883, the venue has hosted exhibitions featuring many of the leading contemporary artists of the given times, accommodating many different types of shows and activities. Charlottenborg now celebrates its long history with a large-scale exhibition featuring all-new and older works alike. Together, they will evoke and add nuance to the history of Kunsthal Charlottenborg, a venue without a collection or a historical archive. Embracing chaos, affinities and time glitches, the exhibition Full of Days forges intuitive connections between historical moments and less-remembered shows, stories and events. Through a cacophony of voices, contemporary and historical artists are framed into a reflection on the elusiveness of time and the multiplicity of its representations, offering a non-linear account of one the Kunsthal’s possible histories.   Special Exhibithions (Kunsthalcharlottenborg.dk):   Thao Nguyen Phan, Reincarnations of Shadows: 13.3 – 11.8 2024 Visual artist Thao Nguyen Phan (b. 1987) intertwines mythology and folklore from her homeland’s turbulent past with current pressing issues of excessive consumption and the destruction of the earth’s resources. The intersection between the documentary and the supernatural take centre stage in this exhibition, which evokes ghostly presences, lush landscapes and unofficial narratives. Charlottenborg Art Books The independent bookstore offers a distinctive selection of books and magazines, including publications in the fields of fine art, critical design, typography, literature, and theory.Apollo Bar & Canteen Apollo Bar & Canteen are Kunsthal Charlottenborg’s bar and dining place by chef and creator Frederik Bille Brahe. Every weekday from Tuesday to Friday, you can enjoy a healthy and delicious lunch at the canteen, and all week you can enjoy breakfast, lunch or an exciting dinner or just a cup of coffee, a glass of wine or a drink at the bar next to the courtyard.

Copenhagen Contemporary (CC) is Copenhagen’s international art center showing installation art created by world stars and new emerging talents It occupies the magnificent former B&W welding hall offering a total of 7,000 m2 of beautiful industrial halls with plenty of space to show the technical and large formats in which many contemporary artists work: total installations, performance art, and monumental video works. Art that can often be entered and sensed with the whole body.  Copenhagen Contemporary is one of Scandinavia’s largest exhibition venues for contemporary art and a lively meeting place for a wide audience. CC creates collaborative partnerships and organises events with a number of different partners across cultural genres locally and internationally. You can attend art talks, art walks, concerts, creative workshops for children, visit CC’s own shop offering Scandinavian design, and experience the unique and historical city district of Refshaleøen.  Situated centrally in B&W’s iconic welding hall, CC is an international power hub in Copenhagen’s new cultural district. The special quality of this area continues to be defined by its industrial history: the area is raw and green with commanding views across Copenhagen Harbour. The district is a mix of first-class gourmet restaurants and small entrepreneurial initiatives; you can go for a dip in the sea, for a sauna, enjoy a glass of wine, and eat grilled food, buy quality bread and visit Copenhagen’s most popular food market with stalls from across the world and lounge areas by the water’s edge. Not forgetting the climbing, skating,and skiing activities, the flea market, and the theatre and music festivals, which are just some of the many activities this area has to offer.    Exhibtions (copenhagencontemporary.org): Kapwani Kiwanga, The Length of the Horizon: 26.1.24-25.8.24 For her first major exhibition in Scandinavia, the internationally renowned artist Kapwani Kiwanga (b. 1978) explores social mechanisms and power dynamics through large-scale installations of plants, foliage, sand, colour and light. Just below the surface of Kiwanga’s seductively beautiful works lurk critical themes. Plants tell toxic stories of power imbalances, colours have manipulative effects and light is investigated as a political instrument. Stretching across CC’s two biggest halls and 1600 m2 of space, the exhibition unfolds in a flow created by Kiwanga’s elegant handling of materials and their secrets. With her affinity for captivating, non-static experiences, the artist proposes fluidity as a sculptural principle in works permeated with the idea of continuous re-creation and adaptability.

Den Frie Centre of Contemporary Art is a must see in Copenhagen for anyone interested in art and architecture. Den Frie is closed between exhibitions. Please check the website before going. Den Frie was founded by artists in 1898 and is one of the oldest venues for contemporary art in Denmark. It is in itself a unique and very beautiful wooden building designed by famous artist J.F. Willumsen. Den Frie’s fundamental aim is to present the very latest in contemporary art. We host exhibitions by national and international artists, all of which address current issues. The extensive programme of exhibitions and events are evidence of Den Frie’s role as an active platform for living art and
art production, and the commitment to contribute to contemporary existence. With its relaxed and welcoming atmosphere, Den Frie is also a popular meeting place for artists, students, tourists and the many locals who pass by. As a visitor you’ll feel welcome and enjoy having your interest in contemporary art stimulated, whether you’re an art connoisseur or a beginner. On top of which the architecture alone is well worth a visit. Den Frie also houses the café, Polykrom, where you can enjoy a delicious lunch or a well-made cup of coffee.   Exhibitions: Mea Sculpa, 24. Feb - 9. Jun 2024 As part of Den Frie’s exhibition series Dacapo revisiting former artist-run spaces, SQ – Louis Scherfig and Frederik Worm – presents Mea Sculpa? In 2013 Louis Scherfig and Frederik Worm founded SQ/squash (www.squashclub.biz) while studying at the art academy, and they ran the exhibition space together with Jonas Frederiksen until 2017. During its existence SQ organized solo and group exhibitions, publications and happenings in parks, exhibition spaces, sports venues, cinemas and in book format. Den Frie Udstilling 2024: Naboplanter, 13th of Apr. - 26th of May 2024 Den Frie Udstilling 2024: Naboplanter is curated by the artists Jesper Christiansen, Torben Ribe, and Hannah Heilmann, focusing on the possible social and artistic connections that exist between the members of the artist association Den Frie. As one of the oldest artists associations in Denmark, Den Frie was founded in 1891 and it has continually incorporated new members, like an old garden where a changing fauna of plants co-exist. The title of the show is inspired by Sofie Isager Ahls book Naboplanter, poetically conceiving human beings as social organisms able to cultivate relations accross species and families.

Welcome to Gammel Strand A UNIQUE PLACE FOR ART LOVERSIn the heart of Copenhagen’s historical district right by the canalside lies Gammel Strand, an art institution focusing on modern and contemporary art. Gammel Strand showcases 6-8 exhibitions annually focusing on new Danish talent, the international contemporary art scene and artists art-historical themes in a present-day perspective.In connection with the series of exhibitions Gammel Strand regularly presents a per­spec­tivizing programme of events involving talks and debates, literature readings, concerts and guided tours. Visitors can also enjoy a break in the café with the charming courtyard, and buy art books, posters, and design items in the shop.  This spring, Gammel Strand presents an extensive exhibition with Yael Bartana (b.1970, Israel). Through video works, photography and installations, Bartana explores current, complex issues of national and cultural identity, trauma and power structures. The exhibition presents a wide range of Bartana’s work, from early video works and photo series to her latest comprehensive film work Malka Germania (2021). The exhibition runs from 2 February to the end of May 2024.   Special Exhibitions (gammelstrand.dk): Slumping, Tove Storch; 02.02.24-20.05.24 Tove Storch opens a new path in her practice between the everyday and the alienating. With five new works created specifically for Gammel Strand, Storch explores subtle, unassuming gestures and showcases sculptures on a grand scale.Slumping is a craft technique within glass art and slang for exhaustion and laziness. In the exhibition, Storch demonstrates her unique understanding of the capabilities of materials as she tests their different strengths: Can silk break down metal? How does the liquid shape the solid? How does time affect shape? Through her choice of colors, motifs, and attitude, the works intertwine with archetypal narratives of the body, romance, and sexuality, gently shaking free from fixed interpretations.Tove Storch (b. 1981) graduated from the Royal Danish Academy of Fine Arts in Copenhagen in 2007, from the Academy of Fine Arts in Vienna in 2004, and Weissensee Kunsthochschule Berlin in 2006. In 2021, she was awarded the prestigious Carl Nielsen and Anne Marie Carl-Nielsen Honorary Prize.   Things to Come, Yael Bartana; 02.02.24-20.05.24 Yael Bartana works with grand narratives. In Things to Come, she challenges the blind spots in our understanding of history and establishes new spaces of understanding between the actual and the imagined. She processes collective memories, origin myths, and some of the darkest chapters in human history, which she uses as raw material to formulate new narratives about the future. The exhibition shows, among other things, Malka Germania, Bartana's most extensive film work to date, which revolves around the German-Jewish relationship in a dream-like future scenario in Berlin; Two Minutes to Midnight, a power- and gender-critical paraphrase of Stanley Kubrick's legendary science fiction film Dr. Strangelove; and Overcoming the Future about redemption and forgiveness. Yael Bartana (b. 1970) was born and raised in Israel. Since the mid-00s, she has lived in Amsterdam and Berlin. Her works have been shown all over the world and are part of the collections of many prominent institutions. In January 2024, she was appointed as one of two artists to exhibit in the German Pavilion at the Venice Biennale 2024.

Denmark’s museum for public art As Denmark’s only museum for public art, KØS collects sketches, scale models, and a variety of other preliminary works for the art that is placed or takes place in public spaces in Denmark. These are artworks that many feel ownership of because they are close to us in everyday life, and therefore are often the subject of wonder, discussion, disapproval, and interest among local users. The finished works are typically placed permanently somewhere out there, unless they take place as temporary projects that over a period occur in more or less direct interaction with the audience. The works themselves therefore do not form part of the museum’s collection, which instead through drawings, watercolors, and models in plaster, clay, paper, and wood or in the form of project descriptions, notes and sketches, films and photos etc., shows the quality of and the range in the country’s publicly placed works. The collection’s often impressive sketch sequences, which typically can accommodate many phases in the artistic creation process - from early, loose drafts to gradually more detailed studies and composition sketches to final, thoroughly worked templates and working drawings - can be studied when the museum shows collection exhibitions. The Queen’s tapestries The main works in the museum’s collection are visual artist Bjørn Nørgaard’s extensive sketch material for Queen Margrethe II’s tapestries, which she received as a gift from Danish Business in 2000. The sketch material for the 10-year-long work process consists of 11 colorful cartoons in full size with a wealth of historical motifs. Changing collection exhibitions The KØS Collection is regularly shown in collection exhibitions at the museum and typically consists of a mix of new acquisitions and known works from the collection. Read about our current exhibitions here. The collection consists of more than 18,000 unique sketches, models and preliminary works for art in public spaces and an archive that documents processes and conflicts around art in public spaces. Selections from the collection are regularly exhibited at the museum and activated in KØS’ teaching, just as artists are periodically invited to engage in dialogue with the KØS collection and KØS as an institution. Explore indoors over three floors or outside on the artistic forecourt by visual artist Ann Lislegaard. Combine the visit with a trip to the KØS Café and the museum shop with exclusive design items. Free guided tour the first Sunday of every month."   Current exhibitions: 'IN THE ARCHITECHT’S HOUSE - ELINA BROTHERUS ON ALVAR AALTO'; 01.03.24-02.06.24 In her three new photographic series, visual artist Elina Brotherus takes us deep into the heart of Alvar Aalto’s architecture. The new photographic series by Elina Brotherus, one of Finland’s most internationally acclaimed artists, are captured in three key Aalto buildings in Finland: Aalto’s home in Helsinki, his summer cottage also known as the ‘Experimental House,’ and the modernist masterpiece Paimio Sanatorium. The three new series are now being exhibited for the first time in Denmark through a collaboration between KØS Museum of Art in Public Spaces and the Alvar Aalto Museum, where they premiered in 2023. In 2019, the Aalto Foundation granted the artist exclusive access to photograph in Alvar and Aino Aalto’s home in Helsinki and Alvar’s and his second wife Elissa’s private summer villa, the Experimental House in Muuratsalo. The summer villa is a pilgrimage destination for designers and architects due to the couple’s numerous material experiments conducted in the central, beautiful courtyard. It is brought to life in Elina Brotherus’ masterfully composed photographs and takes on a new vitality and presence. '(self)infatuation' When a Country Falls in Love with Itself is the title of Elmgreen & Dragset’s artistic dialogue with the Danish sculptor Edvard Eriksen’s world-famous sculpture, The Little Mermaid. Erected on Langelinie in 1913 as a gift to Copenhagen from brewer Carl Jacobsen, The Little Mermaid is undoubtedly the most viewed and photographed sculpture in Denmark today. The romantic sculpture is both a tourist magnet and a national symbol. In 2008, the Danish-Norwegian artist duo Elmgreen & Dragset casually placed a mirror in front of the mermaid, in which she – the symbol of the nation – self-reflects. The resulting photographic artwork, When a Country Falls in Love with Itself seemed to indicate that she, the nation, is no longer so interested in gazing out to distant shores but prefers to admire herself. Like The Little Mermaid herself, When a Country Falls in Love with Itself is now a central piece in art history, illustrating how public art functions as focal points for interactions between different viewpoints. It is an example of how contemporary art can elegantly contribute to adding new layers and narratives on top of the already existing. In 2012, Elmgreen & Dragset once again mirrored the small sculpture with symbolic significance when they created Han for Kulturværftet in Helsingør — a male version of The Little Mermaid who gazes longingly, not at himself, but out into the world. Unlike his sister on Langelinie, who is crafted in bronze, both Han and the stone he sits on are made of polished stainless steel, reflecting the surroundings and those who look at him. And if you are lucky enough to visit the sculpture at the right time, you may experience the young man on the stone opening his eyes and blinking. With Han, Elmgreen & Dragset invites us to look at both him – Han – and ourselves with a loving, but also investigative, curious gaze. Perhaps an invitation to fall in love with something other than ourselves?